It had to happen. Some clever person out there has put medieval paleography exercises on to something more modern than ye olde PC. If you want to do your paleography exercises on your iPhone or iPad, there is now an app to do it. Check it out here.
I'll just crawl back into my dinosaur cave, unless there are still a few old fogies out there whose eyesight is not amenable to medieval handwriting on a small screen. Congrats you guys at Leeds University.
Addendum: also available for Android from Google Play. Will do a review if I can get my head away from my phone for long enough.
Addendum again: sorry, no can do. Even my phone is too prehistoric. Slow down world!
Friday, December 06, 2013
Saturday, November 23, 2013
Technology Bites My Bum - Again
Back in the mid 1990s, Tillotson and Tillotson decided it would be a really good idea to produce some teaching software for medieval history using this newfangled multimedia technology. We thought we produced some pretty hot stuff for a couple of amateurs: amateurs at IT that is. Of course, we all know what happened after that; new operating systems every Thursday, the internet gets useful, then brilliant, development software companies go phut. The Medieval Writing website was the only thing rescued from the wreckage.
Of course I backed everything up. How dare you suggest otherwise. I have multiple backups on everything from ZIP disks (remember them) to the cloud (just hope it doesn't rain). Only problem is, I have only one antique computer that can run the software I used to create these masterpieces, and it takes up half my study and is showing signs of being about to die.
Now one of the very good pieces of advice I received at that stage, and dutifully passed on to everyone else, is that you should always keep a copy of the text of whatever you are doing in a simple text format so that it isn't platform dependent. Blush. I now discover that the text material in my multimedia files cannot be exported, or even cut and pasted out without displaying loads of crap code.
Part of the reason I didn't do it was because of ideas and experiments in multimedia design. IT gurus assured me that nobody these days would scroll down a page to see what was at the bottom, and that multimedia pages should be designed to fit on the screen. So the text was all broken up into little boxes, some of which popped up out of nowhere when you moused on things and dissolved away when you were finished, or appeared in separate little windows or did any number of those dinky little multimedia things which are SOOO 1990s. That also means I can't just print if off. And now everybody happily scrolls down web pages without having a nervous breakdown about it.
I once wrote a blog posting about how web pages are more like medieval manuscripts than the pages of printed books, but now I find myself regressing in a less delightful way, copy typing madly like an old fashioned office slave in a typing pool, trying to beat that sneaky red stain which is creeping into the corner of my old CRT monitor and hoping that checksum error on bootup will allow me to ignore it for a bit longer.
Of course I backed everything up. How dare you suggest otherwise. I have multiple backups on everything from ZIP disks (remember them) to the cloud (just hope it doesn't rain). Only problem is, I have only one antique computer that can run the software I used to create these masterpieces, and it takes up half my study and is showing signs of being about to die.
Now one of the very good pieces of advice I received at that stage, and dutifully passed on to everyone else, is that you should always keep a copy of the text of whatever you are doing in a simple text format so that it isn't platform dependent. Blush. I now discover that the text material in my multimedia files cannot be exported, or even cut and pasted out without displaying loads of crap code.
Part of the reason I didn't do it was because of ideas and experiments in multimedia design. IT gurus assured me that nobody these days would scroll down a page to see what was at the bottom, and that multimedia pages should be designed to fit on the screen. So the text was all broken up into little boxes, some of which popped up out of nowhere when you moused on things and dissolved away when you were finished, or appeared in separate little windows or did any number of those dinky little multimedia things which are SOOO 1990s. That also means I can't just print if off. And now everybody happily scrolls down web pages without having a nervous breakdown about it.
I once wrote a blog posting about how web pages are more like medieval manuscripts than the pages of printed books, but now I find myself regressing in a less delightful way, copy typing madly like an old fashioned office slave in a typing pool, trying to beat that sneaky red stain which is creeping into the corner of my old CRT monitor and hoping that checksum error on bootup will allow me to ignore it for a bit longer.
And there's a sample screenshot in all its glory, complete with clunky buttons, 256 colour graphics, popup subheadings on mouseover and navigation buttons all over the place, not to mention a strictly rectangular design that fits even on ye olde 800 x 600 screen (or whatever it was back then). Pity you can't hear the spasm of Gregorian chant that plays while you contemplate which button to push. Only the Glossary has so far made it to the web.
Hope you scrolled down for a look at it.
Sunday, November 10, 2013
Preservation of Books or Texts?
I have recently resigned from a charity volunteer position which involved selling secondhand books for fundraising for a valuable cause. Never mind why. Charities do occasionally go through phases of losing their sense of direction. Suffice to say I might have a bit more time for medieval books and paleography now, with fewer big gaps between postings. And yes, I have found another good cause to devote some time to, but which might not eat up my whole life.
The secondhand books are all donated by the public and sold at several huge bookfairs each year. The time in between was filled with sorting, pricing, processing and packing for the next blockbuster. People give the charity a helluva lot of books. Why? Because they are getting rid of them. They are downsizing, their parents have died, their kids have left home, they have bought e-readers or some other reason. Secondhand book dealers are becoming progressively more rare, don't want to buy big collections and their only alternative is to send the lot to paper recycling.
The oversupply means that a significant proportion of the books end up in paper recycling anyway. Sometimes they are in ratty condition and frequently they are titles which appear in such numbers that they could not possibly all be sold at the bookfairs. The recycling hopper was at one time euphemistically referred to as the Dan Brown file. Sometimes there are strange old books that nobody wants to buy and you wonder if they should be preserved as historical curiosities.
Now that so many medieval manuscript books in public collections are appearing in facsimile on the internet, interested folks are becoming aware of just how many of these survive. Of course, we know there have been massive losses as well. Fire, flood and vermin, not to mention deliberate destruction in order to replace dated texts with ones that were deemed to be more correct, all chomped up medieval libraries. Medieval monks and scholars made decisions about preservation and disposal as well.
Every manuscript book which survives, however, is unique, not only in the decoration and presentation, but in the text. Apart from in liturgical books, the concept of the written content was still rooted in the oral tradition, with change and evolution of the text occurring all the time. This has made lifetime careers for some academics.
With printed books, every example from a given edition is identical, and some books, whether modern bestsellers or older classics, have been printed in gazillions of copies over the years. There is a question of how much we should worry about the destruction of these identical industrial artifacts. Is it important to preserve the physical objects, or should we only worry about conserving the texts? There is a collectors' market which gets all excited and splashes money about for rare editions, but is this a reader's interest or merely an investor's ploy?
The book will never die. There is too much pleasure in grabbing a favourite off the shelf and thumbing through it. But when I depart for the great library in the sky, somebody will sort through my eccentric collection and select what to keep and what to dump. Most unscientific. And you never know, one day Sotheby's might just sell the last ratty paperback copy of The Da Vinci Code.
The secondhand books are all donated by the public and sold at several huge bookfairs each year. The time in between was filled with sorting, pricing, processing and packing for the next blockbuster. People give the charity a helluva lot of books. Why? Because they are getting rid of them. They are downsizing, their parents have died, their kids have left home, they have bought e-readers or some other reason. Secondhand book dealers are becoming progressively more rare, don't want to buy big collections and their only alternative is to send the lot to paper recycling.
The oversupply means that a significant proportion of the books end up in paper recycling anyway. Sometimes they are in ratty condition and frequently they are titles which appear in such numbers that they could not possibly all be sold at the bookfairs. The recycling hopper was at one time euphemistically referred to as the Dan Brown file. Sometimes there are strange old books that nobody wants to buy and you wonder if they should be preserved as historical curiosities.
Now that so many medieval manuscript books in public collections are appearing in facsimile on the internet, interested folks are becoming aware of just how many of these survive. Of course, we know there have been massive losses as well. Fire, flood and vermin, not to mention deliberate destruction in order to replace dated texts with ones that were deemed to be more correct, all chomped up medieval libraries. Medieval monks and scholars made decisions about preservation and disposal as well.
Every manuscript book which survives, however, is unique, not only in the decoration and presentation, but in the text. Apart from in liturgical books, the concept of the written content was still rooted in the oral tradition, with change and evolution of the text occurring all the time. This has made lifetime careers for some academics.
With printed books, every example from a given edition is identical, and some books, whether modern bestsellers or older classics, have been printed in gazillions of copies over the years. There is a question of how much we should worry about the destruction of these identical industrial artifacts. Is it important to preserve the physical objects, or should we only worry about conserving the texts? There is a collectors' market which gets all excited and splashes money about for rare editions, but is this a reader's interest or merely an investor's ploy?
The book will never die. There is too much pleasure in grabbing a favourite off the shelf and thumbing through it. But when I depart for the great library in the sky, somebody will sort through my eccentric collection and select what to keep and what to dump. Most unscientific. And you never know, one day Sotheby's might just sell the last ratty paperback copy of The Da Vinci Code.
Sunday, August 25, 2013
Working Scripts for (Somewhat) Ordinary Books
Standard paleography textbooks tend to categorise scripts neatly, then present the finest or most representative of each type, giving the whole process of medieval handwriting an aura of greater order and system than it really has. I quite regularly get emails from users of the site who claim that the piece of medieval writing that they are trying to untangle doesn't look like any of the examples in books, or on the website for that matter. I have started a process of putting up samples of scripts on Medieval Writing which are just a little bit ordinary, not quite as standard as the archetypes and generally a bit more real world. Many of them are from the bits of medieval detritus that are floating around the world at the moment.
The current project is to indicate that the French term bâtarde covers a great range of styles and types, some of them exquisitely beautiful and legible and others a bit scratchy and hard to untangle. The latest example comes from a leaf from a little 15th century Flemish book of hours, with delicious little jewelled gilded initials and a bit of medievally leaf spray in the margins, but somewhat hasty and spiky calligraphy. It was probably somebody's wondrous treasure, but most likely not the Duchess of Whatsit.
No matter how many classificatory schemes we cook up, and how many generic schools of writing have existed, handwriting is always an individual and unique expression. That's why we love even the scruffiest little scraps of parchment we can find. They represent the last traces of somebody's individuality.
The current project is to indicate that the French term bâtarde covers a great range of styles and types, some of them exquisitely beautiful and legible and others a bit scratchy and hard to untangle. The latest example comes from a leaf from a little 15th century Flemish book of hours, with delicious little jewelled gilded initials and a bit of medievally leaf spray in the margins, but somewhat hasty and spiky calligraphy. It was probably somebody's wondrous treasure, but most likely not the Duchess of Whatsit.
No matter how many classificatory schemes we cook up, and how many generic schools of writing have existed, handwriting is always an individual and unique expression. That's why we love even the scruffiest little scraps of parchment we can find. They represent the last traces of somebody's individuality.
Saturday, August 24, 2013
Ever Wondered What Paleographers Do?
Or for that matter why they do it. Here is a really nice summary, with beautiful eye candy manuscript pics.
Sunday, August 18, 2013
Vale
Do they make paleographers like that any more? Malcolm B. Parkes, Palaeographer Do any workers in the hurly-burly of modern academic life have the time and contemplation to do this kind of detailed analytical work any more? Or is everybody too busy filling out performance reviews and rushing out yet another conference paper? The works of the pioneering masters of paleography will never be redundant or outdated.
Friday, August 16, 2013
Ferocity of Iron Gall Ink
The subject of iron gall ink seems to provoke the most enthusiastic discussion on this blog, particularly the formulations for making it. There has been some excitable discussion here. I have mentioned its capacity for chewing into parchment in the iron gall ink section of Medieval Writing, but this posting from Johan Oosterman is a stunner, or is that a stinker, of an example of what damage the stuff can do. Self-cannibalising manuscript.
Sunday, August 11, 2013
Oh for a Quill and Parchment
I repeatedly grizzle about how those medieval manuscripts we love have lasted for hundreds of years, but our fancy newfangled computer files turn to custard in just a few. I have just upgraded the graphics and formatting of the script samples for humanistic minuscule on Medieval Writing, so that they actually bear a closer resemblance to the beautiful bits of medieval calligraphy that they represent. As computer technology steadily improves, we are getting somewhat closer to producing images that actually look like segments from medieval manuscripts.
Sunday, July 21, 2013
When Did Latin Become Dead?
It is commonly asserted that Latin was a dead language in the middle ages. Well, it wasn't. They simplified and changed the grammar, introduced a great deal of new vocabulary and used it for assorted daily purposes, especially in the church and the legal professions. However, by the 16th century it was getting decidedly wobbly on its feet, but English as a written language was far from standardised.
The latest script sample on Medieval Writing is a small fragment recovered from a bookbinding, showing a segment from a legal plea roll of unknown origin, but on paleographical grounds it looks awfully like an English court hand of the early 16th century. These scripts can seem really difficult to read until you get your eye in, and suddenly they become easy. The fun thing about this one is the way in which Latin and English are scrambled together in the one sentence. It looks as if the scribe only knows the Latin for the standard legal terms and has lapsed into English whenever he got stumped for a Latin word. It suggests that Latin, if not exactly dead, was on life support at this stage.
The only trouble is, English was not a fully literate language, in the sense that spelling, in particular, was horribly unstandardised. So while ever increasing numbers of printed books were being produced, written literacy seems to have taken a bit of a dive. The old scribes were probably going on about it the way grandmothers today go on about text messaging. Those newfangled printed books just mean that nobody knows how to write any more.
The latest script sample on Medieval Writing is a small fragment recovered from a bookbinding, showing a segment from a legal plea roll of unknown origin, but on paleographical grounds it looks awfully like an English court hand of the early 16th century. These scripts can seem really difficult to read until you get your eye in, and suddenly they become easy. The fun thing about this one is the way in which Latin and English are scrambled together in the one sentence. It looks as if the scribe only knows the Latin for the standard legal terms and has lapsed into English whenever he got stumped for a Latin word. It suggests that Latin, if not exactly dead, was on life support at this stage.
The only trouble is, English was not a fully literate language, in the sense that spelling, in particular, was horribly unstandardised. So while ever increasing numbers of printed books were being produced, written literacy seems to have taken a bit of a dive. The old scribes were probably going on about it the way grandmothers today go on about text messaging. Those newfangled printed books just mean that nobody knows how to write any more.
Friday, July 12, 2013
Medieval Digimania
When the very first digital images from medieval manuscripts were posted on the web way back in the age of dinosaurs (late 1990s I think it was) the potential for such resources for scholars and hobbyists was apparent. Also very apparent was the massive scale of the enterprise in terms of labour and expense before anything like a useable academic resource was available. Web technology was less advanced, so images tended to be either rapid loading and crude, or very slow loading and high quality. Then there was the issue of what those who put the images up thought the users ought to be able to do with them. In many cases not much. My favourite (not) message was "You may not download this image." Yeah, OK, so how come I'm looking at it?
When I first put up Medieval Writing around 2000, I attempted to include links to all sites with reasonable displays of digitised manuscripts. It was actually possible. Since then it has become harder and harder to keep up, and in the last few years there has been an avalanche of sites with complete digital facsimiles of such a quality as would enable various kinds of fairly detailed research.
There seemed to be certain national characteristics in relation to the display of manuscripts on the web. German sites went for complete facsimiles with grungy interfaces. French sites went for beautiful displays of miniatures in thematic arrangements, but isolated from their texts. French provincial libraries displayed their treasures, often buried in municipal government websites, with complex and changing urls. Switzerland went in for the full bells and whistles, complete manuscripts, funky interface and open access with its splendid e-codices website. I believe a Scandinavian site from the Helsinki University Library was the first to claim its medieval manuscript images could be used copyright free, but that resource seems to have vanished. British institutions, on the whole went for selections of pages and illustrations, so that it was never possible to study a complete manuscript. And if you could, they told you not to. American libraries flaunted their translocated treasures with arty selections.
Now the race is on to make the world's manuscript treasures available. And institutions are realising that they can allow people to make use of them, because for starters, how are you going to stop them, and for seconds, what possible harm can it do to the original? The circulation of CDs of dubious provenance sold on eBay from countries like Spain of material on the web claimed to be copyright has been followed by a crowd of scholars republishing and re-referencing material on blogs, tweets and other new media. Even the British Library now allows its digitised manuscript images to be used without copyright restriction for non-profit purposes. Now if they would only digitise a few more complete manuscripts ....
While talk of persistent urls for specific manuscript pages has been going on in library circles for a long time, some manuscript sites are finally making use of them, allowing other users to construct databases on whatever themes they choose across various sites. But it is still all taking time. Every listing of digitised manuscripts on the web is incomplete or out of date.
Now one Giulio Menna of the splendidly named Sexy Codicology website is plunging into the task of providing an interactive map of all libraries in Europe offering digitised manuscripts on the web. Check the progress here. Best of luck Giulio. Big job. It's an independent project and a labour of love. The guy is crazier than me.
When I first put up Medieval Writing around 2000, I attempted to include links to all sites with reasonable displays of digitised manuscripts. It was actually possible. Since then it has become harder and harder to keep up, and in the last few years there has been an avalanche of sites with complete digital facsimiles of such a quality as would enable various kinds of fairly detailed research.
There seemed to be certain national characteristics in relation to the display of manuscripts on the web. German sites went for complete facsimiles with grungy interfaces. French sites went for beautiful displays of miniatures in thematic arrangements, but isolated from their texts. French provincial libraries displayed their treasures, often buried in municipal government websites, with complex and changing urls. Switzerland went in for the full bells and whistles, complete manuscripts, funky interface and open access with its splendid e-codices website. I believe a Scandinavian site from the Helsinki University Library was the first to claim its medieval manuscript images could be used copyright free, but that resource seems to have vanished. British institutions, on the whole went for selections of pages and illustrations, so that it was never possible to study a complete manuscript. And if you could, they told you not to. American libraries flaunted their translocated treasures with arty selections.
Now the race is on to make the world's manuscript treasures available. And institutions are realising that they can allow people to make use of them, because for starters, how are you going to stop them, and for seconds, what possible harm can it do to the original? The circulation of CDs of dubious provenance sold on eBay from countries like Spain of material on the web claimed to be copyright has been followed by a crowd of scholars republishing and re-referencing material on blogs, tweets and other new media. Even the British Library now allows its digitised manuscript images to be used without copyright restriction for non-profit purposes. Now if they would only digitise a few more complete manuscripts ....
While talk of persistent urls for specific manuscript pages has been going on in library circles for a long time, some manuscript sites are finally making use of them, allowing other users to construct databases on whatever themes they choose across various sites. But it is still all taking time. Every listing of digitised manuscripts on the web is incomplete or out of date.
Now one Giulio Menna of the splendidly named Sexy Codicology website is plunging into the task of providing an interactive map of all libraries in Europe offering digitised manuscripts on the web. Check the progress here. Best of luck Giulio. Big job. It's an independent project and a labour of love. The guy is crazier than me.
Monday, May 27, 2013
One Small Step for Paleography
Well it's been a while since anything was done on Medieval Writing, but having corrected a couple of minor errors that were pointed out to me by assiduous users, perhaps we are getting back on track. Watch out for some new material appearing soon, hopefully.
Sunday, January 13, 2013
History and Mythology - 1066 and all that
For a large number of years now, there has been a website entitled Secrets of the Norman Invasion. The site has grown and developed over the years as the author, Nick Austin, has developed his arguments, firstly, that the army of William the Conqueror did not actually land at Pevensey but at another site, and secondly, that the site of the Battle of Hastings is not the same as the site of Battle Abbey. Many of his arguments are quite persuasive, but there have been problems with getting the kind of historical proof that is required to convince heritage authorities and to fend off local councils which want to build roads all over the place.
The game now appears to be getting hotter, with protesters and roadworkers facing off at what he believes is the site of the battle. You can read about it on his blog The Secrets of the Norman Invasion Blog. It has gone from historical detective work to political activism. Nick has produced a mass of material to read on the subject, should you want to get up to speed with it before joining the blockade.
It leads me to a little philosophical rumination about what is history and what is mythology, and how the mythology is developed from history to serve various purposes. If William the Conqueror built the abbey that he had promised on a different site to that of the battle, despite his stated intention, he must have done it for a reason, but one that is lost to history. It could have involved suitability of terrain, or some political machinations involving landholding, of which there were many in the middle ages, or some shenanigans involving relations with the church, of which ditto. However, once a site of pilgrimage is established, and this is a kind of secular pilgrimage site, there are many interests in preserving the mythology. I mean, if Nick is right, the producers of commemorative crockery and teaspoons in Battle may suffer a severe economic downturn.
To look at some other examples, Did the abbots of Cluny really believe that the remains of St James were miraculously transported to a remote spot in Spain called Compostella, or did they just think they were on to a good thing in setting up a lucrative network of pilgrimage routes? Perhaps the fact that the general pilgrimaging public fell for this ruse was considered a miracle in its own right.
One of my favourite bits of historical mythology involves the Strasbourg Oath, as sworn by the grandsons of Charlemagne and their respective armies. It is solemnly represented as the earliest written evidence for the proto-French and Proto-German languages, based on having been written down in a Latin chronicle, the only extant copy of which is from several hundred years after the event. So how accurate is the transcription of these bits of proto-language, and how did the original chronicler acquire them? If he was there, how accurately did he hear them? If he was given an official transcript, how accurate was it given that these were non-literate languages? How accurately was it transcribed over the centuries? It all reminds you of the Sermon on the Mount scene from Monty Python's Life of Brian. Nevertheless, it is supposed to be a foundation charter for French and German linguistic identity.
If you think it is important to separate historical fact from historical mythology, perhaps you need to be sitting down there on a roadworks site in Sussex. Right or wrong, if it is all dug up and tarmacked, we will never know. Mythology will win again.
The game now appears to be getting hotter, with protesters and roadworkers facing off at what he believes is the site of the battle. You can read about it on his blog The Secrets of the Norman Invasion Blog. It has gone from historical detective work to political activism. Nick has produced a mass of material to read on the subject, should you want to get up to speed with it before joining the blockade.
It leads me to a little philosophical rumination about what is history and what is mythology, and how the mythology is developed from history to serve various purposes. If William the Conqueror built the abbey that he had promised on a different site to that of the battle, despite his stated intention, he must have done it for a reason, but one that is lost to history. It could have involved suitability of terrain, or some political machinations involving landholding, of which there were many in the middle ages, or some shenanigans involving relations with the church, of which ditto. However, once a site of pilgrimage is established, and this is a kind of secular pilgrimage site, there are many interests in preserving the mythology. I mean, if Nick is right, the producers of commemorative crockery and teaspoons in Battle may suffer a severe economic downturn.
To look at some other examples, Did the abbots of Cluny really believe that the remains of St James were miraculously transported to a remote spot in Spain called Compostella, or did they just think they were on to a good thing in setting up a lucrative network of pilgrimage routes? Perhaps the fact that the general pilgrimaging public fell for this ruse was considered a miracle in its own right.
One of my favourite bits of historical mythology involves the Strasbourg Oath, as sworn by the grandsons of Charlemagne and their respective armies. It is solemnly represented as the earliest written evidence for the proto-French and Proto-German languages, based on having been written down in a Latin chronicle, the only extant copy of which is from several hundred years after the event. So how accurate is the transcription of these bits of proto-language, and how did the original chronicler acquire them? If he was there, how accurately did he hear them? If he was given an official transcript, how accurate was it given that these were non-literate languages? How accurately was it transcribed over the centuries? It all reminds you of the Sermon on the Mount scene from Monty Python's Life of Brian. Nevertheless, it is supposed to be a foundation charter for French and German linguistic identity.
If you think it is important to separate historical fact from historical mythology, perhaps you need to be sitting down there on a roadworks site in Sussex. Right or wrong, if it is all dug up and tarmacked, we will never know. Mythology will win again.
Tuesday, November 06, 2012
Manuscripts and Naked Hands
It's been a long time between drinks, But hopefully I can get back on the airwaves again. Well sometimes reality interferes with your cyberlife.
I was intrigued by the latest newsletter from e-codices, the totally fantastic and amazing manuscript website from Switzerland which not only lets you look at a vast array of medieval manuscripts in great detail, but allows others to use them through a Creative Commons licence. Truly sharing our cultural heritage. But this item was a little intriguing.
The ultimate iconic image of a manuscript researcher has long involved a pair of white gloves. This is supposed to show how much we care for the conservation of the precious artifacts that we are handling. Valuable manuscripts and white gloves; like bread and butter, horse and cart, love and marriage (well, perhaps that last is a dated reference). Now the conservators of Switzerland are telling us that it is actually a bad thing to wear gloves while handling manuscripts, as it reduces the sensitivity of the fingers, thereby making it more likely that the manuscript might be damaged. As well, dirt and muck from manuscripts is actually transferred to the white gloves and can be spread to other items. Just regularly wash your hands, they say - just like doctors and nurses.
This opinion is corroborated by no less an institution than the British Library, as described in a blog posting. It seems the white gloves thing is just a bit of spin. Mind you, I have experienced the difficulties of this many years ago, when attempting to photograph a medieval manuscript in a library where they insisted on white gloves, but I was unable to work the camera with them on. A compromise deal had to be worked out in which one person wore the white gloves and turned the pages and I took the pictures, promising not to touch the manuscript. Funny thing is, it was a book of hours, which had probably been handled every day with naked fingers in the course of somebody's daily devotions.
Those people who work with the less luxurious class of manuscripts, such as legal documents, often prefer to wear white gloves because the things are so filthy that otherwise they get muck all over their hands. There is something a little bit worrying about medieval grime.
Anyway, having broken the ice, I will see if I can get back to some work on Medieval Writing. A diligent user has found a couple of minor typos in my transcripts, so I had better start with those and then progress to something new.
I was intrigued by the latest newsletter from e-codices, the totally fantastic and amazing manuscript website from Switzerland which not only lets you look at a vast array of medieval manuscripts in great detail, but allows others to use them through a Creative Commons licence. Truly sharing our cultural heritage. But this item was a little intriguing.
The ultimate iconic image of a manuscript researcher has long involved a pair of white gloves. This is supposed to show how much we care for the conservation of the precious artifacts that we are handling. Valuable manuscripts and white gloves; like bread and butter, horse and cart, love and marriage (well, perhaps that last is a dated reference). Now the conservators of Switzerland are telling us that it is actually a bad thing to wear gloves while handling manuscripts, as it reduces the sensitivity of the fingers, thereby making it more likely that the manuscript might be damaged. As well, dirt and muck from manuscripts is actually transferred to the white gloves and can be spread to other items. Just regularly wash your hands, they say - just like doctors and nurses.
This opinion is corroborated by no less an institution than the British Library, as described in a blog posting. It seems the white gloves thing is just a bit of spin. Mind you, I have experienced the difficulties of this many years ago, when attempting to photograph a medieval manuscript in a library where they insisted on white gloves, but I was unable to work the camera with them on. A compromise deal had to be worked out in which one person wore the white gloves and turned the pages and I took the pictures, promising not to touch the manuscript. Funny thing is, it was a book of hours, which had probably been handled every day with naked fingers in the course of somebody's daily devotions.
Those people who work with the less luxurious class of manuscripts, such as legal documents, often prefer to wear white gloves because the things are so filthy that otherwise they get muck all over their hands. There is something a little bit worrying about medieval grime.
Anyway, having broken the ice, I will see if I can get back to some work on Medieval Writing. A diligent user has found a couple of minor typos in my transcripts, so I had better start with those and then progress to something new.
Wednesday, June 13, 2012
Books about Books
There has been recent interest in the concept as books as objects of material culture. For years academics have concentrated on the texts, but they are now seeing them as objects with coded meanings beyond the texts. They have whole conferences about the subject. To buy a book on the subject of such meanings in early printed works, from a recent academic conference, click here. All proceeds go to Lifeline, a charity providing telephone counselling, particularly in relation to suicide.
And yes, such matters have been distracting me lately from updating Medieval Writing, but the job is still in hand. Hopefully there will be some more updates soon.
And yes, such matters have been distracting me lately from updating Medieval Writing, but the job is still in hand. Hopefully there will be some more updates soon.
Sunday, May 06, 2012
The Elephant is Dead
As medieval resources on the web increased and students became a bit more savvy about using it, The Elephant Book migrated to the web itself, with a terrible tacky elephant skin background, big gold star ratings for websites and a different elephant on the cover due to the university's anxiety about copyright issues. As resources and search facilities grew again, the site changed focus from being a listing of useful and reliable medieval sites, to how to find and evaluate them for yourselves, with a listing of some of our favourites. But still time marches on. It is hard enough to keep up a reasonable list of sites on even a specialised corner of the medieval cyberverse, such as manuscripts and paleography, and the issue with using the web for research is not so much how to find things, as how to evaluate them. So the elephant got very elderly and tired, and has had to be put down.
Our Elephant Book website actually lasted longer than the hapless elephant that was given to Henry III and kept in the Tower of London. Unfortunately they didn't know too much about elephant husbandry in 13th century London. I'm not too sure what happened to the drops of blood of Jesus that the Templars brought back for Henry. You could flog anything to a Templar.
So farewell to all departed elephants. Vale.
Saturday, March 24, 2012
Manuscripts, Books, Pixels
Our giant bookfair has come and gone, quashing the idea that the printed book has had its day. $430,000 dollars made for Lifeline in one three day weekend flogging secondhand books, CDs, records and games and puzzles. Some kinds of books are less alive than others. It seems that fewer people want to buy paper dictionaries these days. Well, why would they I guess? They seem to be following in the wake of encyclopaedias, which plenty of people want to give away, but nobody wants to buy. It's all on the internet.
They do want to buy lots of other kinds of books to hold in their hands and turn the pages. Kindle editions and other e-books might be making some inroads, but people still want something to put on the shelf. Classic English literature sold well, even though all the titles are available in e-books for free. Apart from the touchy feely thing, I wonder if the deficiencies in the capability to properly reference cheap e-book editions is keeping student of Eng. Lit. still hunting for cheap paper versions.
Meanwhile, back in the land of pixelated manuscripts, I have recommenced updating graphics and reformatting pages. Yawn!!! When I get totally bored with this, I will reveal to you a tantalising scrap of bookbinder's waste which shows just how bad legal Latin was becoming by the 16th century.
They do want to buy lots of other kinds of books to hold in their hands and turn the pages. Kindle editions and other e-books might be making some inroads, but people still want something to put on the shelf. Classic English literature sold well, even though all the titles are available in e-books for free. Apart from the touchy feely thing, I wonder if the deficiencies in the capability to properly reference cheap e-book editions is keeping student of Eng. Lit. still hunting for cheap paper versions.
Meanwhile, back in the land of pixelated manuscripts, I have recommenced updating graphics and reformatting pages. Yawn!!! When I get totally bored with this, I will reveal to you a tantalising scrap of bookbinder's waste which shows just how bad legal Latin was becoming by the 16th century.
Saturday, March 03, 2012
To Hell with Technology
Well there I was, chugging through updating the graphics and formatting in the script samples, when I came upon a section where I had no master graphic files in any format known to modern computing. They must have been some of the earliest examples that I had done, probably from before Medieval Writing was even a website. So there has been a slight delay while I rescanned a whole bunch of images of protogothic and Gothic documents and catalogued them. All done now, so the Gothic documents are now being updated again. The fact that it is raining like Noah's fludde this weekend might mean some more progress gets made. Can't do any gardening without a boat. To think that with fancy modern technology, images become unreadable in a few years, but those original 500 year old scratches on parchment are still there and legible.
Friday, February 24, 2012
Books Online or Online Books?
I have mentioned in the past that I do some voluntary work in a large warehouse that processes secondhand books for several bookfairs a year to raise funds for the charity Lifeline, a telephone counselling service. All the books are donated by members of the public in Canberra (which is, of course, the capital city of Australia). Naturally, current changes to the way books are published and read is a perennial topic of discussion among the volunteers, as this affects our bottom line. It has occurred to me that there is a distinct time lag between technological changes to books and the concept of a book.
Because we receive unselected donations, we cannot sell all the books. Some are too decrepit or damaged, too out of date or simply appear in too many duplicates, so some books have to go to paper recycling. This upsets some people, as it seems that they still have a mindset that a modern printed book is like a medieval manuscript; a unique artifact and repository of knowledge. Most, in fact, are mass produced items of the industrial age. Everybody does keep a look out for books that are rare or especially interesting, so that they get special treatment.
Now that e-books are infiltrating the world of reading, we wonder what effect this will have on the buying public. There are those among us who use our e-book readers for certain purposes, in my personal case for recreational reading, but who are definitely not abandoning our reference libraries of real books any time soon. The likes of Amazon.com and ABE books have increased our personal reference libraries of real books through online sales. On the other hand, Google books and The Internet Archive have expanded our reference collections to include old and rare titles that we would otherwise find very difficult to acquire. Some folks feel that a book should have a cover and pages, just like a medieval manuscript. Others are coming to the idea of a book as a concept; a bounded body of information or themes or ideas, even if it does not exist as a thing.
Our bookfair is moving with the times by introducing online sales of real books (Lifeline Canberra Online Bookstore). It is just at the beginning of operations so far and the number of books is currently limited, but we hope it will grow to cater for the internet savvy crowd who still like real pages. That might keep us going until somebody works out how to sell used conceptual books in the form of secondhand e-books.
We also sell music in the form of records and CDs. One lady dropped us off a whole box full of CDs, saying her husband didn't need them any more as he had ripped them all to his iPod. My first thought was, hang on, don't you keep the CDs as backups? I guess I think of musical performances as objects rather than concepts, and musical performance objects have only been around for about one hundred years, unlike reading objects. Now there is a thought for further philosophical rumination.
Because we receive unselected donations, we cannot sell all the books. Some are too decrepit or damaged, too out of date or simply appear in too many duplicates, so some books have to go to paper recycling. This upsets some people, as it seems that they still have a mindset that a modern printed book is like a medieval manuscript; a unique artifact and repository of knowledge. Most, in fact, are mass produced items of the industrial age. Everybody does keep a look out for books that are rare or especially interesting, so that they get special treatment.
Now that e-books are infiltrating the world of reading, we wonder what effect this will have on the buying public. There are those among us who use our e-book readers for certain purposes, in my personal case for recreational reading, but who are definitely not abandoning our reference libraries of real books any time soon. The likes of Amazon.com and ABE books have increased our personal reference libraries of real books through online sales. On the other hand, Google books and The Internet Archive have expanded our reference collections to include old and rare titles that we would otherwise find very difficult to acquire. Some folks feel that a book should have a cover and pages, just like a medieval manuscript. Others are coming to the idea of a book as a concept; a bounded body of information or themes or ideas, even if it does not exist as a thing.
Our bookfair is moving with the times by introducing online sales of real books (Lifeline Canberra Online Bookstore). It is just at the beginning of operations so far and the number of books is currently limited, but we hope it will grow to cater for the internet savvy crowd who still like real pages. That might keep us going until somebody works out how to sell used conceptual books in the form of secondhand e-books.
We also sell music in the form of records and CDs. One lady dropped us off a whole box full of CDs, saying her husband didn't need them any more as he had ripped them all to his iPod. My first thought was, hang on, don't you keep the CDs as backups? I guess I think of musical performances as objects rather than concepts, and musical performance objects have only been around for about one hundred years, unlike reading objects. Now there is a thought for further philosophical rumination.
Sunday, February 05, 2012
More Medieval Documents
I have just made some additions to the section on Dealing with Medieval Documents, having discovered that I had left out some stuff I had meant to put in originally. Does that mean that web publishing is more forgiving, and therefore a good thing, or that it just makes web authors absent minded and disorganised, which is a bad thing?
Friday, February 03, 2012
What Not To Do with Your Manuscripts
Latest additions to the site include a small expansion to the section on Handling Manuscripts, having come across some more little bits that have been mishandled.
Take a look at these two images and try to work out what has been going on here, before going to the website to find out. Then when you have found out, do not do it to any little treasures of your own.
I have also made a slow new beginning to the process of updating the graphics and formatting in the Script Samples section, having made a start on protogothic documents.
I have also made a slow new beginning to the process of updating the graphics and formatting in the Script Samples section, having made a start on protogothic documents.
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